This is a conversation about how we say no in tango and the impact it has on us.
Can a no feel embodied and still come from a story? How many dances have I declined without ever meeting the person? What is the difference between intuition and prejudice in the body? When does discernment become closure?
Where is a no coming from?
It was one of the most authentic and rich explorations we've had in Tango Sensaciones.